He said that "the events gave new meaning to the musical pieces created by catastrophic decay in my studio a few weeks before". Stills from the video were used as the covers for the set of four CDs, and several weeks later Basinski dedicated the work to the victims in a postscript in the liner notes. He filmed the fallout during the last hour of daylight from a roof, and the following morning he played "Disintegration Loop 1.1" as a soundtrack to the aftermath. īasinski finished the project the morning of the Septemattacks in New York City, and sat on the roof of his apartment building in Brooklyn with friends as the World Trade Center collapsed. He further treated the sounds with a spatializing reverb effect. He allowed the loops to play for extended periods as they deteriorated further, with increasing gaps and cracks in the music. Decades later, while transferring the recordings from magnetic tape to digital format, Basinski found that the tape had deteriorated as it passed the tape head, the ferrite detached from the plastic backing. In the 1980s, Basinski recorded from found sound sources, shortwave radio and delay systems, influenced by musicians such as Steve Reich and Brian Eno. Two orchestral renditions have also been performed, and were included in the reissue. It was initially released in four parts, and was reissued in 2012 on its tenth anniversary as a nine-LP box set. The Disintegration Loops gathered critical acclaim. He dedicated the music to the victims of the attacks. The completion of the recording coincided with the 9/11 attacks, which Basinski witnessed from his rooftop in Brooklyn the artwork features Basinski's footage of the New York City skyline in the aftermath of the World Trade Center's collapse. Basinski discovered the effect while attempting to transfer his earlier recordings to digital format. The albums comprise tape loop recordings played for extended time, with noise and cracks increasing as the tape deteriorated. We want to thank all the talented people at V1, both past and present, who helped make the last 5 years wonderful.Īnd a heartfelt thanks to the amazing community that supported us.The Disintegration Loops is a series of four albums by the American avant-garde composer William Basinski, released in 20. We are sad to inform you that V1 Interactive is officially closing. On Twitter, the studio said in its closure announcement: “After weighing options, we have collectively made the decision to sunset the multiplayer support.”ĭisintegration went offline in November 2020. “While our player base showed interest in the single player campaign, the game unfortunately struggled to build a significant audience necessary for a compelling multiplayer experience,” the developer said. In our hands-on impressions of the game, we said, “ Disintegration features some interesting ideas, but never learns how to get out of its own way long enough to let me enjoy them.”Ī few months later, V1 Interactive announced that Distintegration’s multiplayer mode would be taken offline. It was released on PlayStation 4, Windows PC, and Xbox One in June 2020 to mixed response. Distintegration boasted a full single-player story campaign and a “huge” multiplayer component. In summer 2019, V1 Interactive announced its first game, Distintegration, a sci-fi first-person shooter with real-time strategy elements. At V1 Interactive, he was president and creative director. Lehto was a veteran of Halo and Destiny developer Bungie, where he served as art director on the early Halo games and creative director on Halo: Reach. V1 Interactive was founded by Marcus Lehto and was officially unveiled 2016, after striking a deal with Take-Two Interactive’s indie-focused label Private Division. On its website, V1 Interactive described itself as a small company, and featured a staff photo with 27 members. The studio announced its closure Monday via Twitter, thanking V1 Interactive’s staff and its fans. Nine months after the studio released its debut game, Disintegration, developer V1 Interactive is shutting down.
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